© François Le Goarant de Tromelin


© François Le Goarant de Tromelin


© François Le Goarant de Tromelin


© Édith Fortier


© François Le Goarant de Tromelin


© François Le Goarant de Tromelin


© François Le Goarant de Tromelin


© Édith Fortier

 


le son du grisli


CODA Mar/Apr 2008
Interview


presskit


biographies


Posters, Cards & Logos


 

Japanese Interview
Jazz Tokyo (Japanese)

 

 

 

Dans les mots des médias
In the Press Words

« Here, Carrier's spirited attack is fused with grace, power and lyrically resplendent voicings, amid ventures into the freer realm. »
GLENN ASTARIT / AllAboutJazz / July 2011

« Francois Carrier has style. He keeps a balance between sound, linear content and expressivity in ways that are original and enlivening. »
Grego Edwards /gapplegatemusicreviewree / June 2011

« Canadian saxman François Carrier smelts a molten spirituality into a silvery, vibrato-less alto sax sound on anew release that blasts off from Coltrane but find its own trajectory. »
Larry Cosentino / Signal To Noise / Summer 2011

« I've described François Carrier's playing before on several album reviews as a very lyrical player, who can make his alto sing and resonate in a way that is reminiscent of Coltrane, in more than one way, including the expansive and spiritual nature of his improvisations. »
Stef Gijssels / Free Jazz / March 2011

« With lots of sensitivity and attention to the nuances of sound and with two musicians who have been collaborating for at least a decade, telepathic understanding is the modus operandi, and the saxophonist and drummer seem to be creating with one mind.. »
Paul Serralheiro / The Squidco's Ear / March 2009

« The duo adds something which is furthermore rare in free jazz : a great lyricism and melodic inventiveness... »
Free Jazz / January 2008

« saxophinist Carrier and drummer Lambert show spirit and invention as they ramble merrily about. »
KZSU 90.1 FM / California

« The two saxophonists urge each other onward with plenty of expressive ideas being tossed around. The session comes recommended for its conversational interaction that finds four members of a quartet getting along quite well in the pursuit of creative chemistry. »
Cadence / April 2007

« François Carrier is a stellar Canadian soprano saxophonist. His tone is warm, buttery, yet powerful. I was already strongly touched by his former CDs. “Travelling Lights” with Michel Lambert and Gary Peackock, is in my eyes the musical equivalent of a watercolor painting : sensitive, precise, gentle, but so strongly emotional. “Play” is more of a free jazz outing with drums and bass, again recommended. On “Happening”, Carrier brings his music a step further... »
Free Jazz,  / Wednesday January 31, 2007

« … together, Redman and Carrier are a fine match, they create a latticework of somber, blue lines.  It’s a magestic, off-the-cuff dirge that grows into an intense  mass of action. »
Down Beat / January 2007

« Open Spaces” has a funky, playful melody and conveys a unique blend of exploration and gratitude. You really get a sense that the musicians are enjoying themselves, which always takes the music to another level. »
All About Jazz – New York / December 2006

« Open spaces” is an album made of cohesion and passion, full of elegance and freedom, luckily devoid of clichés and formulaic posing by the artists. A worthy homage to a great saxophonist. »
Touching Expremes - Italy  / December 2006

« ...this one’s another unassuming yet incendiary blowing date, and cheers to that, mate. ... »
Chris Kelsey / Jazz Times / February 2004

« ...among the most impassioned albums to favor my CD player in the past year... »
Russell Arthur Roberts / L.A. Jazz Scene / January 2004

« ...an original voice from the post-Coltrane continuum, a disciplined but creative force...»
Nils Jacobson / All about jazz / October 2003

« ...infusing his art with spirituality... a superlative recording of delightful unpredictable musical path. »
Don Williamson / Jazz Review / August 2003

« ...une expression libre et savoureuse... d’une atmosphère vibrante et poétique… captivante de bout en bout... »
Sophie Chambon / Jazz Magazine / Juin 2003

« ...offrendo un lirismo atavico e coraggiosamente trascendentale. »
Gianmichele Taormina / Jazzit / Gennaio - Febbraio 2003

« ...du jeu inspiré… une œuvre surprenante et expressive... une excellente prestation de jazz...»
Paul Serralheiro, critique de jazz / Juillet 2002

« ...showcase this ensemble’s genius for alchemy... »
Michael Borshuk / CODA / September - October 2002

« ...breathtakingly intuitive... »
Joseph Blake / Victoria Times Columnist / September 2002


 

 



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